Romanticism and Form
Rawes, Alan (EDT)
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BOOK SUMMARY
Romanticism and Form gives a snapshot of what and where the recent revival of formalism in Romantic Studies is up to, offering new analyses of canonical texts, contextualisations of Romantic forms in relation to war, nationalism, propaganda and empire, re
Submit a book reviewBOOK SYNOPSIS
Romanticism and Form gives a snapshot of what and where the recent revival of formalism in Romantic Studies is up to, offering new analyses of canonical texts, contextualisations of Romantic forms in relation to war, nationalism, propaganda and empire, reassessments of neglected and marginalised writers and new explorations of the relationship between form and reader. The volume showcases a range of new approaches to form that are distanced from New Criticism but informed by deconstruction, new historicism, feminism, theology and new technology.
AUTHOR BIO
ALAN RAWES is Lecturer in Romanticism at the University of Manchester, UK. His publications include Byron's Poetic Experimentation (2000), English Romanticism and the Celtic World (co-edited, 2003) and Romantic Biography (co-edited, 2003). He is also the Academic Editor of The Byron Journal and the editor of the British Association for Romantic Studies Bulletin and Review.
TABLE OF CONTENTS
Notes on Contributors * Introduction--A.Rawes * Romantic Indirection--P.Curtis * "Conscript Fathers and Shuffling Recruits": Formal Self-Awareness in Romantic Poetry--M.O'Neill * Romantic Invocation: a Form of Impossibility--G.Hopps * "Ruinous Perfection": Reading Authors and Writing Readers in the Romantic Fragment Poem--M.Sandy * Combinatoric Form in Nineteenth-Century Satiric Prints--S.E.Jones * Romantic Form and New Historicism: Wordsworth's "Lines Written a Few Miles above Tintern Abbey"--A.Rawes * Southey's Forms of Experiment--N.Trott * Believing in Form and Forms of Belief: the Case of Robert Southey--B.Beatty * Seductions of Form in the Poetry of Ann Cristall and Charlotte Smith--J.Labbe * "Seldom safely enjoyed by those who enjoyed it completely": Byron's Poetry, Austen's Prose and Forms of Narrative Irony--C.Franklin * "What Constitutes a Reader?": Don Juan and the Changing Reception of Romantic Form--J.Stabler, A.Roberts, M.N.Carminati & M.H.Fischer * Afterword--S.J.Wolfson * Bibliography * Index Notes on Contributors * Introduction--A.Rawes * Romantic Indirection--P.Curtis * "Conscript Fathers and Shuffling Recruits": Formal Self-Awareness in Romantic Poetry--M.O'Neill * Romantic Invocation: a Form of Impossibility--G.Hopps * "Ruinous Perfection": Reading Authors and Writing Readers in the Romantic Fragment Poem--M.Sandy * Combinatoric Form in Nineteenth-Century Satiric Prints--S.E.Jones * Romantic Form and New Historicism: Wordsworth's "Lines Written a Few Miles above Tintern Abbey"--A.Rawes * Southey's Forms of Experiment--N.Trott * Believing in Form and Forms of Belief: the Case of Robert Southey--B.Beatty * Seductions of Form in the Poetry of Ann Cristall and Charlotte Smith--J.Labbe * "Seldom safely enjoyed by those who enjoyed it completely": Byron's Poetry, Austen's Prose and Forms of Narrative Irony--C.Franklin * "What Constitutes a Reader?": Don Juan and the Changing Reception of Romantic Form--J.Stabler, A.Roberts, M.N.Carminati & M.H.Fischer * Afterword--S.J.Wolfson * Bibliography * Index
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MORE BOOK INFO
ISBN: 1403994722
ISBN(13-digit): 9781403994721
Dewey Decimal: 821.009
Library of Congress: 2006053012
Book Publisher: Palgrave Macmillan
Language: ENG
No. of Pages: 231
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